Furthermore related to this series (Conflicting Lines) are five 12 x 16 inch platinum prints, whereby a negative is made the same size as the finished image; it is then contact printed onto a sheet of paper painted with platinum and iron salts, and finally exposed in daylight. Titled ‘Church Walk Studio’, these delicate, richly toned images have the quality of watercolour, which furthers Khan’s intrigue into pushing the boundary between a painting and a photograph.